Tone

Summary

Tone is a comprehensive collection of height-adjustable tables, offering dozens of shapes, sizes, colors and configurations to outfit any space. As a standalone table or together with monitor arms, keyboard trays and privacy screens, Tone promotes well-being by allowing users to keep moving throughout the day.

Brand

Knoll

Designers

Antenna Design

C-Leg
W: 30-96″
D: 24, 30″

T-Leg
W: 30-96″
D: 30, 36″

C-Leg and T-Leg tables available with:
Rectangular or radiused corners

Electric Base
H: 25.6-42.1″
Extended Electric Base
H: 21.6-47.8″
Handcrank Base
H: 25.6-42.1″

Extended Handcrank Base
H: 21.6-47.8″
Pin-Set Base
H: 25.8-40.8″
Fixed Base
H: 26.8″

90º Corner
W: 42-84″
D: 24, 30″

120º Corner
W: 48-60″
D: 24, 27, 30″

90º and 120º tables available with:
Rectangular or radiused corners

Electric Base
H: 25.6-42.1″
Extended Electric Base
H: 21.6-47.8″
Pin-Set Base
H: 25.8-40.8″
Fixed Base
H: 26.8″

The choice is yours

Tone is available with 6 base types, in a range of shapes and sizes to meet a variety of planning needs. With a neutral aesthetic, a slim foot and a range of finish options, Tone integrates seamlessly with Knoll furniture in open plan, private office and shared spaces.

Tone is available with a choice of adjustment types, finish combinations and handset options as well as a full suite of cable management accessories.

Ergonomics your can track

Using their phone or computer, users can easily program Tone with integrated RIO technology to set sitting and standing goals and track their usage over time. Through the RIO Platform, organizations can track wellness and occupancy metrics across their office space.

Everything in its place

As part of the Knoll suite of ergonomic tools, Tone easily accommodates desktop screens along with KnollExtra accessories, including monitor arms, keyboard supports and desktop lights, enabling user adjustment for comfort while promoting collaboration.

Antenna Design

Antenna Design was founded in 1997 by Masamichi Udagawa, a Cranbrook Academy graduate, and Sigi Moeslinger, who holds degrees from NYU and Art Center College of Design. Antenna’s people-centered design approach aims to make the experience of objects and environments more meaningful and exciting. Among Antenna’s best known projects are the design of New York City Subway cars and ticket vending machines, JetBlue check-in kiosks and displays for Bloomberg.

Antenna has been recognized with several prestigious design awards, including the National Design Award in Product Design from the Cooper-Hewitt National Design Museum. Both Udagawa and Moeslinger are senior critics in graphic design at the Yale University School of Art.

Tone

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